A few months ago, The Soft Pack played at The Cavern in Dallas. There were maybe ninety people there, forty-five more than the "maximum occupancy" listed on the road sign near the swinging doors. It was loud and chowder-soup warm in the bar (so was the beer) and the lights were dim enough that you couldn't see the black x on your hand. Even louder were three guys next to me, who I tried to avoid by leaning coolly on the metal pole next to me. One of the guys had a thick orange beard and a big gut, and he drunkenly debated what he should drink at such a volume that anyone in the bar could have suggested "decaf" or sleepy time tea. These three dudes spent the first half of the show overcheering, projecting some weird, undeserved guilt that was later confirmed when the orange bearded guy yelled to the band,
"Sorry Dallas sucks man! Austin is way better."
The Soft Pack continued to play, uncaring and having a California blast. They rip-roared through their electric surf rock and macabre punk. The mood was high, so it makes sense that a few songs later the orange bearded guy bought the band apology shots. I guess for having to play in such a terrible place? He put the glasses on stage with a cocky grin showing beneath his nuclear beard.
So to prove that guy wrong, I want to post four musical based reasons why Dallas Doesn't Suck (in this first half of 2010):
1) Akron / Family with Warpaint @ The Granada, Feb. 25
2) Abe Vigoda (the band, not the man) with The Vivian Girls @ The Lounge, March 16th
3) BROFEST 2010 a festival of music including Dum Dum Girls, Slang Chickens, Those Darlins and a big heaping handful of other underground bands that will melt your teeth
4) Dawes with Cory Chisel & the Wandering Sons @ The Cavern, March 4th
As a special bonus piece of news to Mr. Orange Bearded Man, The Soft Pack will be back for Bro Fest, as announced today by John Iskander over at Parade of Flesh. I will be there, along with several other great shows, watching and waiting for you, Mr. Beard Man: poised with verbal brass knuckles to show you why Dallas kicks butt musically.
Showing posts with label parade of flesh. Show all posts
Showing posts with label parade of flesh. Show all posts
Tuesday, February 2, 2010
Revenge on the Orange Bearded Man (Why Dallas Doesn't Suck)
Labels:music, indie brofest, dallas, parade of flesh, the soft pack
Posted by Nick 0 comments
Wednesday, January 13, 2010
Crazy Heart (with Vampires): A.A. Bondy @ Lola's Sixth
I wrote a review for Dallas based Parade of Flesh, check it out here. If you don't feel like clicking, here's a bit of it:
First of all, I missed a huge chunk of the opening act of this show thanks to the Hellraiser labyrinth of Texas highways on the way to Fort Worth. I hate missing opening acts, (sorry Amy Cook) it’s like joining a movie five minutes in: you feel hustled, out of breath, the need to reach over and bug the person next to you with questions like, “What just happened? Who’s that guy with the rifle?”
Unlike me, A.A. Bondy was prompt and charismatic, and he calmed my hurried nerves. It’s the first thing you notice from his stage presence: he exudes confidence. Which is hard to do considering his music is dark, lonely, and bourbon washed. Like Bob Dylan, Bondy likes to mix his songs up live–”Oh the Vampyre” was deliciously slow and full of rich steel guitar; “I Can See the Pines Are Dancing” was finger-picked instead of strummed. With his dark red light on stage, I imagined A.A. Bondy’s live show to be Cormac McCarthy's favorite band.
First of all, I missed a huge chunk of the opening act of this show thanks to the Hellraiser labyrinth of Texas highways on the way to Fort Worth. I hate missing opening acts, (sorry Amy Cook) it’s like joining a movie five minutes in: you feel hustled, out of breath, the need to reach over and bug the person next to you with questions like, “What just happened? Who’s that guy with the rifle?”
Unlike me, A.A. Bondy was prompt and charismatic, and he calmed my hurried nerves. It’s the first thing you notice from his stage presence: he exudes confidence. Which is hard to do considering his music is dark, lonely, and bourbon washed. Like Bob Dylan, Bondy likes to mix his songs up live–”Oh the Vampyre” was deliciously slow and full of rich steel guitar; “I Can See the Pines Are Dancing” was finger-picked instead of strummed. With his dark red light on stage, I imagined A.A. Bondy’s live show to be Cormac McCarthy's favorite band.
Labels:music, indie aa bondy, dallas, parade of flesh
Posted by Nick 0 comments
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