Defying time and logic, Frank Fairfield has a wholly digital session of new tracks posted on Daytrotter. I imagine the staff of Daytrotter getting Fairfield around the fancy beeping lights and mics the same way Pecos Bill attempted to wrangle that tornado.
Few artists have the privilege of the live history that Frank Fairfield has: playing with a open violin case at his feet in front of Amoeba records, in gospel churches, at Sausage Grinders. When you listen to his music, you know why. Somewhere in that pre-Reconstruction banjo and ancient folk warble is a 24 year old dude who lives in SoCal. A while ago, I met Fairfield at the Sausage Grinder: he was wearing a tweed jacket, and his banjo strap was made of string. If you're wondering if his music is a novelty in the decade of the "year we make contact," it may just be--but Fairfield is so good that it doesn't matter. Listen to this stunningly old and good cut of "Bo Weevil." Also check out the piece Jeff Weiss did for the LA Weekly, it's the perfect company to the Daytrotter session.
Frank Fairfield (Daytrotter Session) - Bo Weevil
Friday, January 22, 2010
The Lesser of Two Weevils
Labels:music, indie frank fairfield, jeff weiss, passion of the weiss
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Sunday, October 4, 2009
Something out of Steinbeck
LA Weekly & Times writer Jeff Weiss posted Fairfield's sizzling banjo-ed video and the story of Tompkins Square's new compilation over at Passion of the Weiss. This video...It was the first time I clicked through to youtube hoping for millions of views. I'm massively looking forward to Jeff's forthcoming piece on Fairfield (read his recent post and take those glorious MP3s: here).
Tompkins Square describes their new 3 disc compilation, Fire in My Bones, as "raw," "distorted," and "might sound a bit strange": "This is gospel - which we must always remember translates as "the good news" - as it has been sung and performed in tiny churches and large programs, from rural Georgia to urban Los Angeles. It is clearly among the most vibrant, playful, beautiful and emotionally charged music in the world."
It's no question Fairfield will live well on this label. Or, you can also find him playing in front of Amoeba Records like it's 1911, at Sausage Grinders in vintage bars, Gospel Churches, tin can at the grove...like he's some sort of invention of Steinbeck.
Fairfield's debut is out now via Tompkins, and look for Fire in My Bones and Jeff's article on Fairfield soon.
Labels:music, indie frank fairfield, passion of the weiss
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